The Progress Theatre’s Premieres comprises two one-act plays by local writers. The Writer Bird by Emily Goode is a comic, absurdist description of the creative process and The Swastika Party by Paul Levy is a more conventional story about how four young women deal with war and hatred.
By Brenda Sandilands.
We mentioned the considerable challenge posed by the Progress Theatre’s decision to stage this play in our review of His Dark Materials part one; the huge cast and the variety of technical skills required to create the versatile set, costumes, props and puppetry, to name a few. The Progress Theatre has met and conquered these challenges by creating a fast-moving and enchanting theatre experience that will stay with you long after we leave Lyra and Will in Oxford.
Staging this play presents an amazing challenge for the Progress Theatre. They have to create over 130 characters with 28 actors, create two major battles and many smaller skirmishes, represent 43 locations on a small stage, costume the 130 characters and create puppetry for the daemons (a physical embodiment of a human soul).
By Gillie Tunley.
The talented Progress Theatre Company are presenting Steve Thompson’s vastly entertaining No Naughty Bits from Monday 16 to Saturday 21 January. The play centres on the controversial legal battle in 1975 between the Monty Python team and a US television network over the latter’s censorious editing of the comedy series.
Do I stay at home to watch England v Scotland on television or should I find out more about King Henry, whose remains are being searched for in Reading’s Abbey Ruins? Culture wins; off to the Catholic Church next to the prison.
by Gillian Tunley
Reading Rep staged an intensely visceral performance of Enda Walsh’s Disco Pigs which left the audience emotionally stunned. This high voltage two hander, directed by the acclaimed Cathal Cleary, features Runt and Pig (whose real names are the far more mundane Sinead and Darren) running amok in a dangerous fantasy world, fuelled by cheap alcohol, raucous disco beat and trashy TV.
By Gillian Tunley.
Reading Rep staged an epic and powerful community production of Ben-Hur at The Hexagon last week, in a stage adaptation by the award winning playwright Hattie Naylor. It marked a spectacular opening to the Made in Reading season in the Reading Year of Culture. Over 70 local residents of all ages and backgrounds, playing characters encompassing all aspects of Roman society, joined forces with a small professional cast to thrill the audience with this timeless epic.
by Gillian Tunley.
Anything is possible and nothing is quite what it seems… a mysterious lady in black restlessly circles and scales a seemingly empty packing case. She searches and probes expressively – what could be inside the giant wooden case?
by Gillian Tunley.
Reading University treated us to an inspirational and uplifting lunchtime musical feast infused with Italianate passion on Wednesday 1 June.