The sequence of events on the agenda for the meeting of Reading Borough Council (RBC) on 17 October was altered to allow questions from members of the public before the presentation of the petition and eagerly awaited debate on the Black History Mural and Central Club.
26 – 28 Southampton Street are to be sold by the auctioneers Lambert Smith Hampton on 16 October 2017.
Gordon Greenidge – hard hitting West Indies batsman and Alfred Sutton schoolboy is honoured in an incredible performance in the cricket pavilion at Reading School for 3 nights this week. The two actors playing the young and older reminiscing cricketer set this unusual theatre in the round on dramatic fire with their dazzling energy and intimacy.
This is the play where Shakespeare put language into orbit, elevating words far above their station and onto a higher shelf of consciousness and depth. Any amateur production of Hamlet is ambitious; the lead actor has 1400 lines if played in full, and you need to be thespian mob-handed to cover so many other roles and speaking parts. Even the minor roles seem to have more layers than the earth’s crust. But the Progress is a theatre with ambition, courage and enthusiastic actors who seem to pull off most theatrical challenges with brio and aplomb. Even so, I would hate to “go on alone” for such a challenge (West end actor-speak for sober) and for the audience, a large G&T would seem mandatory.
Abel Auer‘s exhibition at Katesgrove’s Rising Sun Arts Centre is entitled ‘How a Black Void Replaces the White Cube and a Painting Moves from the Fine to the Performing Arts‘. This rather long title explains the approach taken to the presentation of this selection of the artist’s enchanting works.
The Historic Katesgrove Industries tour was available for the first time on 8 September 2017 during the Heritage Open Days weekend. The two hour walk started at the foot of London Street outside Reading International Solidarity Centre (RISC) and, after a loop around Katesgrove, ended outside Great Expectations, next door to RISC.
Members of Reading’s Afro-Caribbean communities marched from the Central Club at the corner of London Street and Mill Lane to the Civic Offices on Monday 25 September to protest Reading Borough Council’s (RBC) decision to reject their bid to acquire the club and its famous mural.
Courtesy of the “Reading-on-Thames Festival“, which is sadly a misstatement when clearly Reading’s whole history is based on the River Kennet, came free culture in the form Reading Between the Lines Theatre Company’s play The Life and Death of Reading’s King. For the lucky 700 ticket holders on the night of 15 September this was a history making moment.