‘Jesus Christ Superstar’ at the Progress Theatre

Jesus Christ Superstar at the Progress Theatre. Photo (c) Richard Brown.

The Progress Theatre dazzled on 12 September with Andrew Lloyd Webber and Tim Rice’s rock musical Jesus Christ Superstar, directed by the inspirational Andy Camichel with wonderful musical direction by Jane Southern and fabulous Band, and choral coaching by the versatile Stuart McCubbin.

Beams of torchlight frenetically probe the darkness, searching our very souls, as menacing guitar riffs build to a crescendo… suddenly, through a swirling red haze, we enter into the light and the brightly costumed ensemble exuding energy (uplifting choreography by the multi-talented David Parsonson) amid a set emblazoned with colourful Roman graffiti (Herod sucks!) against an atmospherically lit back rake (a clever set design by Martin Noble and ingenious lighting by Michael Brenkley).

In stark contrast, Judas (played by the brilliant and brooding Jake Willett) is watchful and isolated, his conflicting emotions portrayed in an extraordinary vocal performance against driving rock riffs.

Jesus Christ Superstar at the Progress Theatre. Photo (c) Richard Brown.

Jamie Trick plays the central role of Jesus Christ in a performance of great emotional depth. His compelling vocals mesmerise his followers… including Simon – (a high voltage performance by Megan Turnell) and he is adored by the loyal Mary Magdalene (a tender and moving portrayal by Ciara Roddy in suitably sparkly attire). She expresses her love in a quite beautifully sung I don’t know how to love him and again in a delightful duet with Peter (a touchingly vulnerable performance by Matthew Jacobs).

Jesus Christ Superstar at the Progress Theatre. Photo (c) Richard Brown.

But the mood turns sombre as Caiaphas (the chilling Russell Barrett), Annas (the darkly sadistic Christian Reddington) and the authoritative Priest (the sonorous Eve MacDonald) plot his downfall with the treacherous Judas. The mob turns ugly, donning sinister hoodies…

In a highly dramatic moment, Jesus screams denouncement at the depraved revellers, suggestively clad, in the sacred Temple which has now become an opulent Den of Thieves.

Jesus Christ Superstar at the Progress Theatre. Photo (c) Richard Brown.

The inevitable betrayal follows after a highly charged encounter between Jesus and Judas; his remorse is heart rending as he brokenly echoes the theme I don’t know how to love him

The story follows its dramatic and thrilling course, lightened by a delicious interlude featuring Herod (the teasingly irresistible Thomas Hegarty) and his naughty Dancing Girls.

But the mob bays for blood as the puzzled Pontius Pilate (powerfully played by Oliver Godfrey) quizzes Jesus. There is no turning back. The end is close as the hushed auditorium darkens. Beams of torchlight strafe his tortured body on the cross. Suddenly his suffering is over. Redeeming light floods the stage as the company affirm life and hope with the uplifting refrain Jesus Christ Superstar.

Jesus Christ Superstar at the Progress Theatre. Photo (c) Richard Brown.

This is quite simply breathtaking theatre, the musical score propelling the timeless story and entwining our emotions – don’t miss it…

Jesus Christ Superstar runs at the Progress Theatre, The Mount, Reading RG1 5HL until Saturday 22 September. Tickets can be bought online.

  1. The Progress Theatre website and Facebook page
  2. Jesus Christ Superstar at the Progress Theatre
  3. Progress Theatre tickets
  4. Musicals we love: Jesus Christ Superstar (The Guardian, May 2014)

Have your say

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out /  Change )

Google+ photo

You are commenting using your Google+ account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s

This site uses Akismet to reduce spam. Learn how your comment data is processed.